top of page

Ann Sweeten

Talents:

Genres:

Instruments:

Website:

Other Site:

Web shop:

EPK:

Band Name:

Composer;Instrumentalist;Performer;Poet

Classical;Contemporary Classical;Contemporary Instrumental;Jazz;New Age

Piano

BandCamp:

Join Date:

Nov 5, 2017

Ann Sweeten

IC-US-MA-Northeast

social-dark facebook.png
social-dark instagram.png
social-dark twitter.png
social-dark youtube.png
social-dark%20linkedin_edited.png
social-dark imdb.png
social-dark apple music.png
social-dark-amazon.png
social-dark spotify.png
social-dark spotify.png
social-dark spotify.png
social-dark spotify.png
social-dark-reverbnation.png

Steinway Artist Ann Sweeten’s journey in the  performing arts began at the age of 6 in both Music and Ballet in Westfield, NJ. She received a Hammond Organ for Christmas that year  after showing interest in keyboards and was soon to master it, though  the first year she had to stand to reach the pedals. For her ninth  Christmas, she received a Baldwin Piano and soon began intensive study  with Russian-born Concert Pianist David Sokoloff. Under his tutelage,  she learned to play the music of the great masters. She sites Sokoloff  as her greatest mentor, whose influence in developing her technique and  in encouraging her musicality, was paramount. 


All during these years  Sweeten was also dancing the classic ballets, Swan Lake, Les Sylphides,  Sleeping Beauty, with a Regional Ballet Company in NJ. A Dean’s list  scholar throughout academia, Sweeten earned a B.A. from Smith College in  foreign languages, graduating Cum Laude, and continued study in Paris  and later at the Boston Conservatory.


Sweeten did a brief two year stint as Female Front and lyricist to  the Pop/Rock Band: FALLOUT. Then she began appearing on Cruise Ships, in  Cabaret Clubs and Resorts playing and singing a wide range of material  including Jazz, Pop, Folk, New Age and Broadway music. Sweeten began  composing around 1989 in the midst of her Musical Theatre Career,  starring in such roles as Aldonza (Man of La Mancha), Sister Amnesia  (Nunsense) Miss Mona (Best Little Whorehouse in Texas) and Velma Kelly  (Chicago). When she started introducing her own original material to her  setlists, the response was overwhelming. In 1997, Sweeten released her  debut album, “Prism”. By Sweeten’s third album, “Reflections” (2000),  her music was selling on listening stations at major record chains  (Borders Books & Music, Sam Goody’s) weekly by the hundreds. 


Fans began to write in depth of the effect of Sweeten’s music on their lives; speaking of the music as hope, as giving the power of healing or a way  of finding peace. She has stated “the fact that my music touches people  so strongly is the greatest reward I receive from my music and I have  been moved to tears by the personal stories people have shared with me.” Having written over 100 musical scores to date, Sweeten is also author  to all of her albums’ liner notes and is a poet in her own right. In  2008, Steinway and Sons welcomed Sweeten into its prestigious  international roster of Steinway Artists, touting her, a true  Renaissance woman.


“It  is often, people ask me where I get my inspiration. As for me, the  pieces almost seem to write themselves. I think it must be then, that  the source is divine, and while I play one instrument, I become, yet  another.”

Ann Sweeten

Is this your profile? You can have updates and corrections made to it when needed by using the Member's Chat function built into this website. Simply let us know what you'd like changed.

bottom of page